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Books read this month, and films of note: Changeling
by A.E. Van Vogt. Early Sci Fi (1942) . Van Vogt wrote by
the seat of his pants--no outline, with some brilliant turns.
This one was just puzzling. Even the descriptors on the
outside of the paperback had it wrong. It had something to do
with a president wanting the blood from a blood type matched immortal,
and a group of the immortals working to better themselves. Maybe
I'll read it again sometime for enhanced understanding, as I now own
the book. Bad Business by Robert Parker. Arch and deft are the words to describe Parker's detective books with a wise cracking super sleuth and page turning plots. Parker even finished an unfinished novel of Raymond Chandler, and fits well in my personal American crime pantheon of Dashiell Hammett, Ross MacDonald, Gregory McDonald, and Raymond Chandler. A World out of Time by Larry Niven. This book was another take on The Time Machine by H. G. Wells, imagining what our world might be like in a million years or so. It was very slow on plot for the first half--a guy, his spaceship, and his computer--and a bit silly on the million years forward part. Not grade A Sci Fi... Fall of the White Ship Avatar by Brian Daley. This is the conclusion of a fun SF series written in the mid 1980's recreating dime novel heroes in the distant future, with constant cliff jumping escapes and evil nemeses, and he's not above self parodying. Daley was best known for some early Star Wars novelizations and writing the NPR radio version of Star Wars. TV series: The Darling Buds of May Granada Television, based on the books of H.E. Bates. I'd read the namesake book some years ago, sort of a funny version of Tobacco Road set in Britain, with an eccentric rural family holding their own against polite society. The series is worth watching just for the lissome Catherine Zeta Jones in an early role. Although the family offends many of the conventional mores, it still gathers compassion as it rolls along. Film: Breathless by Jean Luc Goddard, 1960, French. I'm not an expert on cinema history--the cover of the DVD talked about this being an important film of the "New Wave." Besides the sometimes handheld camera technique, this film seemed to fit the conventional "nice girl gets involved with a crook" genre (even focusing on movie advertisements for Bogart and other Hollywood tough guys). About Jean-Paul Belmondo, you learn enough not to like him, but might have better been served by having more character development to gain sympathy for him... Jean Seberg, whether playing Joan of Arc or a slightly dissolute New Yorker (as here), always seemed to radiate wholesomeness (I also loved her in The Mouse that Roared from 1959--while researching for this at IMDB I was sad to learn of her tragic life and death) ... Overall it reminded me in tone of Kubrick's The Killing, from a few years previous, on a similar realist noir theme. Film: American Madness (1932)--Frank Capra. My son gave me a collection of 5 Capra films for Christmas--this one I'd never seen before, about a bank having a run as a result of a burglary. Like a lot of Capra's films, it comes off a bit preachy, about the value of faith in the common man, and it was more drama than comedy. I still liked it. It seemed to echo sentiments probably needed to restore economic growth--recession is partially a self fulfilling prophecy, as people start to not spend because they fear a recession, which feeds the down cycle. Film: It Happened One Night--Frank Capra. Clark Cable playing a cornball newspaper writer comes off a bit hoky. Claudette Colbert as spoiled rich waif on the run is probably a better fit. Still this is one of the classic romantic comedies of the era... Film: Thoroughly Modern Millie I finally got around to seeing this for the first time... In spite the delightful lead performances of Julie Andrews, Mary Tyler Moore, and Carol Channing, you have to wonder, "what were they thinking?" to combine a fluffy romantic musical with a subplot of young women getting kidnapped into "white slavery." But then again, there's Sweeney Todd... |
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