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Books read this month, and films of note: Saucer Wisdom
by Rudy Rucker: Another clever bit of Sci Fi from a
mathemetician, who uses alien abduction as a vehicle (figurative) for
exploring possible future trends in technology, often with a strong
basis in science. His Thurberesque drawings add a homey touch to
his clever extrapolations. Now and Then by Robert B. Parker. Parker has owned the hardboiled detective novel since taking over from Ross MacDonald. Although the Spenser novels are fairly formulaic, he manages, like P.G. Wodehouse, to make interesting twists with similar settings. This one was as good as any of them, and I've enjoyed reading most of Parker's works. High Profile by Robert B. Parker. I think, for a switch from his Superman Spenser persona, Parker created Jesse Stone, a flawed (i.e. alcoholic) small town cop, in a bad relationship with an exwife. Not surprisingly, this isn't as easy reading as the Spenser novels. He also created a female P.I, Sunny Randall, who is in this book as a romantic complication for Stone. The mystery part still worked, but the book spent too much time navel gazing for my taste. Blue Screen by Robert B. Parker. This one precedes High Profile, but I read it afterwards. It's more of a Sunny Randall story, who emphasizes brain rather than brawn... Look to Windward by Iain M. Banks. A rather wordy S-F assassination plot, which takes a good way into the book for the disparate threads to become moderately coherent. The Neddiad by Daniel Pinkwater. Think Illiad, only in the 1950's, at least so far as the title goes. Mr. P has managed to have great fun with most of the Grade B horror staples, mixed in with a bit of Zen. This book represents a great return to his classic Juvenile novel format, with more promised. Skeleton Canyon by J. A. Jance. She crafts good suspenseful stories, mingled with interesting relational bits. Film: Ride the High Country Randolph Scott's final movie, and with Joel McCrea. This was the first time I saw this wonderful classic, good for aging boomers... Unlike a John Wayne, the romance is reserved for the young lovers... Packed with ethical quandries and strategic situations. Film: The Man who Knew Too Much-- James Stewart, Doris Day, Alfred Hitchcock. Although made in the 50's, still holds up pretty well as a thriller. "Vertigo" was more clever, "North by Northwest" probably the best representative of Hitchcock's spy genre, although he was around long enough that The Man who Knew too Much was a remake of his own movie from 1934.. He also made "The 39 Steps," which remains a classic as well. This film includes "Que Sera, Sera," a bit of nostalgia for us older folk. Film: Happy Go Lovely (1951) If you've got Broadband and an hour and a half to enjoy, click on the link. This is a feel good romantic comedy quite comparable to Singing in the Rain (including over the top technicolor dance sequences). The only stars familiar to me were David Niven and Cesar Romero, but the show is clearly dancer Vera Ellen's. The music is the weak point--the lyrics of one of the 3 tunes featured had the discount lyrics "one, two, three." Perhaps the lyric writers were on strike... Film: The Saint Louis Bank Robbery 1958. This is a tragic reenactment of a bank robbery in the vein of Dog Day Afternoon and Bonnie and Clyde. Heist movies fall either in that camp, or more favoring the moral lowground as in Butch Cassidy, the Sting, and Ocean's 11. This one is nicely acted, mostly by actors that look more like they should be in a police lineup than on the silver screen, except for a young Steve McQueen, who was just breaking into the movies with films like this and The Blob at this time. Although showing a sometimes sympathetic eye to the robber's plights, it also did a nice job of foreshadowing their downfall. In an interesting touch of realism, the actual police who stopped the robbery reenact their roles. Considering the outcome, it seems like they would have had some emotional issues reenacting it, but I guess these guys hadn't heard of Post Traumatic Stress Disorder. |
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