INBMA |
The Zero by
Jess Walter. The title refers to Ground Zero at the WTC on 9-11,
and the aftermath for one policeman on scene. Told from his point
of view, which is wildly colored by memory losses, so the reader is
forced to assemble the plot from short disjointed vignettes. In
spite of his glaring memory losses, the protagonist manages to function
rather like Chance in "Being There." Film: Burn after Opening. I've liked a number of Coen Brother films, and this one, as with all, was well done, but it was hyped as a comedy, and if so it was black comedy, with a high body count, and few sympathetic characters. It was about as funny as Fargo (which was admittedly funny in parts, though also bleak overall). Of their films I've seen, I prefer Oh Brother, Where Art Thou, and the Hudsucker Proxy. Film: Bangkok Dangerous. I saw this to kill some time on the day we left Salt Lake City. I didn't have high expectations for it, but it worked pretty well on the suspense/action level, if you don't mind following the everyday life of a contract killer. Most movies today try to end with a twist, but this one made little sense in that (spoiler alert), if you're going to have the lead character narrate the movie, you shouldn't have him die at the end (unless you see him dead at the beginning, and can accept the whole thing as a St. Peteresque life-passing-before-you premise). The Golem's Eye by Jonathan Stroud. Whereas in Harry Potter it's apparent who is the hero, in this second part of the Bartimaeus trilogy the demon (djinni) comes off more nobly than the Harry Potter equivalent... Stroud uses a good smattering of traditional folklore (genies and golems) to good effect. Film: Invincible. A Disney movie of the new style, more gritty realism, but still family friendly. A football movie loosely based on a real life walk on football player for the Philly Eagles. Nicely done, and "foreign student approved." |
INBMA |